Too fuckin' busy and vice versa
Sailor apprentice, photography enthusiast, death defying rider, bad mannered curly dude. Always available for your consideration.
Too fuckin' busy and vice versa
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#Porsche 964 Classic S by dp motorsport

#Porsche 964 Classic S by dp motorsport

#Porsche 964 Classic S by dp motorsport

#Porsche 964 Classic S by dp motorsport

#Porsche 964 Classic S by dp motorsport
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Maserati A6G/2000 Berlinetta Zagato (1956) by Kyter MC on Flickr.
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Lancia Integrale // Thomas Kowi
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Infantrymen of the 27th Infantry Regiment, near Heartbreak Ridge, take advantage of cover and concealment in tunnel positions, 40 yards from the Communists. August 10, 1952. Feldman. (Army)
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bobbycaputo:


Fotografía Callejera
The exhibition “Urbes Mutantes: Latin American Photography 1944-2013,” now on view through September 7, 2014, at the International Center of Photography in New York City, features more than 200 images by photographers from Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru and Venezuela, including Horacio Coppola, Paolo Gasparini, Yolanda Andrade and Alberto Korda. But rather than offer a sprawling survey, the exhibition, first shown last year at Bogota’s Museo de Arte del Banco de República, focuses primarily on how artists have responded to urban life in Latin America, whether through street photography, architectural images or conceptual work.
(Continue Reading)
bobbycaputo:


Fotografía Callejera
The exhibition “Urbes Mutantes: Latin American Photography 1944-2013,” now on view through September 7, 2014, at the International Center of Photography in New York City, features more than 200 images by photographers from Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru and Venezuela, including Horacio Coppola, Paolo Gasparini, Yolanda Andrade and Alberto Korda. But rather than offer a sprawling survey, the exhibition, first shown last year at Bogota’s Museo de Arte del Banco de República, focuses primarily on how artists have responded to urban life in Latin America, whether through street photography, architectural images or conceptual work.
(Continue Reading)
bobbycaputo:


Fotografía Callejera
The exhibition “Urbes Mutantes: Latin American Photography 1944-2013,” now on view through September 7, 2014, at the International Center of Photography in New York City, features more than 200 images by photographers from Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru and Venezuela, including Horacio Coppola, Paolo Gasparini, Yolanda Andrade and Alberto Korda. But rather than offer a sprawling survey, the exhibition, first shown last year at Bogota’s Museo de Arte del Banco de República, focuses primarily on how artists have responded to urban life in Latin America, whether through street photography, architectural images or conceptual work.
(Continue Reading)
bobbycaputo:


Fotografía Callejera
The exhibition “Urbes Mutantes: Latin American Photography 1944-2013,” now on view through September 7, 2014, at the International Center of Photography in New York City, features more than 200 images by photographers from Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru and Venezuela, including Horacio Coppola, Paolo Gasparini, Yolanda Andrade and Alberto Korda. But rather than offer a sprawling survey, the exhibition, first shown last year at Bogota’s Museo de Arte del Banco de República, focuses primarily on how artists have responded to urban life in Latin America, whether through street photography, architectural images or conceptual work.
(Continue Reading)
bobbycaputo:


Fotografía Callejera
The exhibition “Urbes Mutantes: Latin American Photography 1944-2013,” now on view through September 7, 2014, at the International Center of Photography in New York City, features more than 200 images by photographers from Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru and Venezuela, including Horacio Coppola, Paolo Gasparini, Yolanda Andrade and Alberto Korda. But rather than offer a sprawling survey, the exhibition, first shown last year at Bogota’s Museo de Arte del Banco de República, focuses primarily on how artists have responded to urban life in Latin America, whether through street photography, architectural images or conceptual work.
(Continue Reading)
bobbycaputo:


Fotografía Callejera
The exhibition “Urbes Mutantes: Latin American Photography 1944-2013,” now on view through September 7, 2014, at the International Center of Photography in New York City, features more than 200 images by photographers from Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru and Venezuela, including Horacio Coppola, Paolo Gasparini, Yolanda Andrade and Alberto Korda. But rather than offer a sprawling survey, the exhibition, first shown last year at Bogota’s Museo de Arte del Banco de República, focuses primarily on how artists have responded to urban life in Latin America, whether through street photography, architectural images or conceptual work.
(Continue Reading)
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neil-gaiman:

jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

Haunting…
neil-gaiman:

jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

Haunting…
neil-gaiman:

jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

Haunting…
neil-gaiman:

jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

Haunting…
neil-gaiman:

jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

Haunting…
neil-gaiman:

jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

Haunting…
neil-gaiman:

jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

Haunting…
neil-gaiman:

jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

Haunting…
neil-gaiman:

jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

Haunting…
neil-gaiman:

jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

Haunting…
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definemotorsports:

Hudson Italia
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